About Work
Saki Sonoda:
Welcome to the Greenroom
May 7-10, 2025
In many cultures—including Japan, where Sonoda was born and raised—performers have often been seen as messengers between the human world and the divine. At the same time, dancers, clowns, and drag and circus artists have long been marginalized in society, their work and lives challenging social norms as they show the complexity of human emotions and identities. Known as Brooklyn’s “temple of expression,” House of Yes is a refuge where joy and beauty are celebrated daily, and we felt it vital to exhibit these works during a time when the rights of women, trans people, and queer communities are under constant attack by the world outside. This presentation featured several never-before-seen works, including a pair depicting "communal cathartic screams" that took place in the LGBTQ+-centered venue during events in the wake of the 2024 election. Sonoda's series offers a tender vision of the meeting of public performance and personal reality, highlights the fluidity of identity in a space that centers queer joy and belonging, and celebrates the unseen labor that powers the New York City’s cultural heartbeat.
Saki Sonoda